2020
Medicine Lake, 2019
pailletten op foamboard, in perspex baklijst
141 x 50,5 cm
Aurore, 2016
pailletten op foamboard, in perspex baklijst, 2 delen
51,5 x 102,5 cm (elk)  
51,5 x 205 cm
Boven Baja de California (zonsondergang), 2016 
pailletten op foamboard, in perspex baklijst
ø 65 cm
Boven Washington DC I, 2018 
pailletten op foamboard, in perspex baklijst
ø 65 cm
Morgenröthe, 2019
pailletten op foamboard, in perspex baklijst
56 x 165 cm
Selfie I, 2014
pailletten op folie in houten lijst
51 x 45 cm
Wieskirche, 2019 pailletten op bedrukt papier in houten lijst 116,2 x 22 cm
Basilica di Torcello, 2019 pailletten op bedrukt papier in houten lijst 160,2 x 22 cm
Remember me III, 2010 pailletten op folie in aluminium lijst 18,7 x 100 cm
Abide with me, 2018 pailletten op folie in aluminium lijst 20,3 x 103,3 cm
Bist Du bei mir II, 2019pailletten op folie in aluminium lijst 21,3 x 107,7 cm
Selene, 2017 pailletten op foamboard, in perspex baklijst 2 delen 51,5 x 102,5 cm (elk) 51,5 x 205 cm
Ashes to Ashes, 2009 pailletten op folie in houten lijst 44,5 x 44,5 cm
Oak Alley, 2019 pailletten op foamboard, in perspex baklijst ø 100 cm
Ginkgo Biloba, 2019 pailletten op foamboard, in perspex baklijst 141 x 50,4 cm
Acer Japonica, 2019 pailletten op foamboard, in perspex baklijst 137,3 x 50,5 cm
Heisse Liebe (Kisses), 2019 pailletten op bedrukt papier in houten lijst 126,8 x 23 cm
14 Mar — 6 Jun 2020
SHINE

+ p. struycken, bert boogaard, rory pilgrim,
daan van golden, natasja kensmil

Carel Blotkamp (Zeist, 1945) is an artist and former professor of modern and contemporary art. His visual work draws inspiration from the broad spectrum of art history. Blotkamp appropriates and reworks existing images and fearlessly embraces glamor and kitsch.
Composed of thousands of sequins, his glittering compositions sparkle at the viewer. His work often juxtaposes text and image, although the former dissolves amid the sparkle and opulence of the material. These new works contain references to nature inspired by themes favored by Romantic painters such as sunset and sunrise or close-ups of leaf-laden branches. And yet Blotkamp disrupts the traditional and irrefutable unity of idea, image and materiality by executing the work in sequins, which confuses both the nature, and the meaning, of the image.

For the presentation in the rear space, Blotkamp has selected other artists represented by the gallery whom he admires.

Carel Blotkamp studied art history (1963-1968) at the University of Utrecht where, beginning in 1969, he lectured on the history of modern art. He was professor emeritus of modern and contemporary at the VU University Amsterdam from 1982 until his retirement in 2007.
His artwork is collected internationally and held in numerous distinguished collections.